The Artistry of GAZ: Crafting a Rock Lullaby for Troubled Times

We had the pleasure of chatting with UK/RSA Singer-Songwriter GAZ, whose latest single, Lullaby For The World, is set to make waves with its potent blend of protest and prayer. Join us as we explore the creative journey behind this compelling track and gain insight into GAZ’s unique perspective on music and life.

GAZ, your latest single ‘Lullaby For The World’ has been described as a compelling fusion of protest and prayer. Can you share with us the inspiration behind this unique blend of themes?

Having become somewhat disillusioned with the state of affairs of the world late last year felt that I had to get my feelings out. Should I write a poem to release these tensions, should it perhaps be a lullaby? I decided on a lullaby, a rock lullaby. With wars, protests, pollution, politics and other matters in mind, I started wondering whether it was not time for some intervention from the heavens to intervene in mankind’s mess before it’s all too late. My prayer is for a better world, the one I grew up in, not the one I barely recognise today. At the same time, it angered me at what we have become. Onlookers too safe or afraid to intervene or have an opinion. We often watch from afar and think, does this affect me in my life’s little bubble? The writing soon turns into protest as I express that whatever is happening around the world could soon reach your door. You are not in a safe haven and your life could too be affected if the madness does not stop. I refer to cities of the world that have had their fair share of problems in the past as a mirror to the past for those who may think that their problems are behind them and that they are immune the spreading chaos.

If you could create a supergroup in your favourite genre, who would you choose to collaborate with and why?

Let’s start at the back. On drums I would have Larry Mullen Jr. from U2 for his unconventional style. Bass Guitar would be Simon Gallup from the Cure for his catchy, hypnotic dark lines. Keyboard I would go with Martin Gore of Depeche Mode for both his technical ability and exploratory approach to music as well as his vocal range. Lead guitar would be my producer Mark Beling for his versatility and adaptability to various genres as well as vocal ability.

If you could perform at any festival in the world, which would hold the top spot on your list, and what draws you to that event?

Glastonbury. This festival has solidified success for many up-and-coming artists over the years. If you play Glastonbury, you have arrived. The audience are generally highly knowledgeable music followers, and the atmosphere is unmatched.

‘Lullaby For The World’ has been described as the ‘longest production in history.’ Can you tell us more about the challenges you faced during its creation and how you overcame them?

Yes, this have become a bit of a standing joke between my self a producer Mark. We struggled with the approach initially and didn’t get too far on studio session 1 where only a few clips were kept. Session 2 was better but after that both me and Mark had a few health issues. Then the track froze, and we couldn’t record vocals over it so each and every existing clip was exported out and built piece by piece in a new track. Then it was year end and January (not a great time to release a song) and blink-blink here we are in March. It’s just been a long road from creation to publishing.

Can you share any memorable studio anecdotes or behind-the-scenes stories from the recording sessions of ‘Lullaby For The World’?

Since the first studio session did not go as well as hoped, we simple sat having a catch up for 4 hours. Didn’t talk music but talked life and stuff. You know, one of those bonding chats. I believe this caused the close connection for session two.

If you could tour with any artist or band, past or present, who would you choose and why?

Locally in South Africa I would say WonderBoom as I believe that our music would complement one another’s and since we have a similar audience. Internationally I would say Depeche Mode for similar reasons but Id likely not get a word out due to being star struck.

Your upcoming solo album is highly anticipated. Can you give us any hints about the themes or concepts that tie the album together?

The album surrounds concepts of rebirth, reconnection, and rebellion but I would say the overarching theme is reflection and projection.

What are some countries or venues you dream of playing in the future, and why?

Any outdoor local festival in South Africa as I have never done one before. Or Glastonbury as previously stated due to my British roots. Internationally, I think anywhere from London, Vienna to Helsinki and the likes due to the amount of excellent acoustic venues available.

In an ideal world, what fundamental change or improvement would you implement within the music industry to benefit both artists and audiences alike?

More high-end exposure for artists music through the larger channels. Commercial radio, TV shows, concerts etc

On a lighter note, we’ve heard about your one-take-wah-man talent! Can you tell us more about that unexpected skill and how it came about?

Mark was playing guitar and I mentioned that it would be cool to have the guitar part he was recording played through a Wah-pedal for a bit of vibe. He promptly grabbed it, placed it on the desk and said…go for it Gazza, you may as well do something while you are here! So, there I was, hunched over the mixing desk, pumping away unconventionally at this pedal with my hand.

We nailed it in one go and henceforth I am the One-Take-Wah-Man!

Among the vast array of albums across genres and eras, which single album stands out as a timeless favourite for you, and what about it resonates so deeply with you?

I would say Radiohead’s OK Computer. This album has everything for me. It was totally breakthrough music for 1997, just absurd and way ahead of its time. It’s so experimental, sonically excellent, and diverse that I fell in love with this album and ever more so with every listen. I fully connect with this album as it contains the recipe for creativity, an unapologetic lyrical masterpiece and allows you to dream. A model for musical exploration and creation.

With the evolution of music formats, which medium do you believe offers the most authentic or enjoyable listening experience?

Tough question as I’ll no doubt offend someone by saying the wrong thing here but for me it’s all down to what are you listening to your music on? The endpoint device is the most important and with this I will always try to ensure that I’m listening on proper equipment a devices.

Reflecting on your performances thus far, what gig stands out as the pinnacle of your career, and what made it such a memorable experience?

I have two in mind. In my earlier days with my old band CRUSH, we played to a 800+ audience at our old school. It was a madhouse! Secondly, from a nostalgic perspective, I fondly reflect on a massive night at The Roxy Rhythm Bar in Melville where we played with Amersham, Squeal, Arapaho, Springbok Nude Girls, and others.

Lastly, can you give us any exclusive insights into when we can expect your album release and perhaps share a sneak peek of what listeners can anticipate?

The most I can announce at this stage is that I’m currently writing another song (undisclosed) that I will believe will be the title of the album. I believe the album will be complete within the next two months if all goes well.

Thank you, GAZ, for sharing your insights and stories with us today. As we await the release of your upcoming album and continue to be inspired by your music, we encourage everyone to listen to Lullaby For The World and join GAZ on his journey through the world of music. Stay tuned for more from this talented artist as he continues to craft soul-stirring melodies and thought-provoking lyrics.

Stream Lullaby For The World or watch the lyric video.

Connect with GAZ on social media:
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About GAZ
Garry McCluskey, better known by his stage name GAZ, is a singer-songwriter originally from the UK but now based in South Africa. As the former frontman of the South African 90s rock band CRUSH, GAZ is well-versed in both the studio and stage environments. Throughout his career, he has shared stages with some of South Africa’s most renowned musical talents and achieved chart success with his former 4-piece band.

After a hiatus from the South African music scene, Garry rekindled his passion for writing and recording music in 2020, adopting the stage name ‘GAZ’ for his solo endeavours. SAMA-winning producer Mark Beling has been instrumental in GAZ’s musical journey, overseeing the recording and production of all tracks for GAZ’s highly anticipated debut album at his Johannesburg studio.

Among the standout tracks on his forthcoming album is ‘Lullaby For The World,’ showcasing GAZ’s dynamic and hard-hitting style. This single follows a string of hits, including ‘Slow Down’ (which reached No. 1 in North Carolina, USA), ‘Dopamine’ (a South African Top 10 hit), and ‘Pay To Breathe’ (which charted in the South African Top 20), among others that have garnered radio chart success.

GAZ is currently in the final stages of completing his solo album. The charismatic frontman, renowned for his captivating vocals and songwriting prowess, plans to mark the album’s release with a return to the stage, accompanied by a full live band. Keep an eye out for GAZ as he continues to make waves in the music industry with his soulful sound and electrifying performances.